Da Vinci Exhibition

Hello, I'm Callum Robertson and this is Entertainment. In this programme
　　we're going to be taking a look at a new exhibition that has recently opened at
　　London's Victoria and Albert Museum
　　The exhibition is entitled Leonardo da Vinci, Experience, Experiment and
　　Design and to tell us about it I spoke to Thereza Wells who is one of the
　　curators of the exhibition, which means she is one of the people responsible for
　　organising it, setting it up and looking after it.
　　Throughout her career she's worked on a number of projects relating to
　　Leonardo and I first asked her to tell us a little bit about the man and why we
　　are still fascinated by him today.
　　Thereza Wells
　　Well Leonardo da Vinci was a man who lived during the Renaissance. He was born in 1452
　　and died in 1519. He's probably most well known as the painter of the Mona Lisa but he was
　　much more than that. He had a huge interest in the sciences, in maths, he studied anatomy,
　　human anatomy. He was an engineer, he was interested in making military tools for war and
　　he was a botanist. So he did all sorts of things and I think that's probably why there's this
　　enduring interest that every generation finds even today and every generation finds something
　　new to see, to learn about Leonardo.
　　Callum:  Although Leonardo da Vinci is perhaps best known as the painter of the Mona
　　Lisa, he was far more than an artist. He was interested in, studied and
　　experimented in a wide range of sciences. It's this variety of interests that
　　Thereza believes captures the imagination even today. The exhibition is called
　　Experience, Experiment and Design and I went on to ask Thereza the
　　significance of those words as the title.
　　Thereza Wells
　　The words are very carefully chosen, the words of the title of the exhibition. What Leonardo
　　believed was that you couldn't understand the world, you could not gain knowledge of the
　　world without actually experiencing it and without actually experimenting with it. What I
　　mean to say is that he believed you could not understand the world just reading books. He did
　　not have a classical education himself. He obviously read books but I think that without
　　having a classical education, he was able to think outside the box. He believed very much that
　　you had to learn from the world by sort of experiencing it and that's what we're tackling in the
　　exhibition and he experienced that and he wrote about that in his many thousands of sheets of
　　notebooks and drawings that exist today and this exhibition is tackling how he thought on
　　paper and how he demonstrated his knowledge of the world on paper.
　　Callum:  The words of the title of the exhibition relate very much to the way that
　　Leonardo worked, how he developed his understanding of the world. Not just
　　from reading books but through experiences and experiments. Thereza said he
　　was able to think out of the box. This is quite a modern expression which
　　means someone is able to have ideas that are not part of what is already known
　　– he or she can come up with creative, imaginative and new ideas to solve
　　problems.
　　Many of Leonardo's designs based on his ability to 'think out of the box' still
　　exist today and it is these that form an important part of the exhibition.
　　I went on to ask Thereza about the exhibition, what can people see there and is
　　it a practical 'hands-on' exhibition with exhibits people can touch and
　　experiment with themselves. What tool does she say the exhibition uses to
　　illustrate to the public the way that Leonardo thought?
　　Thereza Wells
　　The main core of the exhibition are 60 sheets, drawings and notebooks. They are definitely
　　not 'hands-on', it's really 'mind-on'. It's really about what was going on inside Leonardo's mind.
　　So it's a very, quite an intense exhibition but what we've done to sort of help people to
　　understand Leonardo's thoughts is to animate those drawings and to animate really the words
　　that he was writing. And these animations are suspended above the drawings so you will look
　　down at the drawing, you can read the label, you can examine the drawing and then above you,
　　you will look up and there will be a computer-generated animation of the drawing and
　　hopefully you say ”a-ha, that's what he's talking about“ because when you look at these
　　drawings you really believe that Leonardo must have wished that they could move. Many of
　　them are really full of motion and we hope that the animations will show that as well.
　　Callum:  Well because the exhibits are Leonardo's original documents they are not really
　　hands-on! You can't touch them – but Thereza says they are 'mind on'. They
　　make you think. And to help visitors to the exhibition understand the drawings
　　there are computer-generated animations above the exhibits.
　　Leonardo da Vinci Experience, Experiment and Design is at London's Victoria